#Evanescence where will you go ep movieThe Sound Asleep EP seems short and sweet before you notice the “hidden” closing track “Ascension of the Spirit”, a two-part string instrumental preceded by a long stretch of silence and a sound clip from the 1993 movie My Boyfriend’s Back.ĥ. The standout track that gives the EP value is the heartfelt ballad “Forgive Me”, which very nearly resembles a radio-ready pop hit. Reportedly made only to be given to family and friends, this EP contains two instrumentals, two versions of “Understanding” (including the same one from the previous EP, and a newer and slightly more ethereal version), and an early version of “Whisper” (which inevitably seems dull next to the Fallen version). Lee aimed higher as a vocalist, although her singing still didn’t connect as strongly as it did later. The quality was still demo level, but the music was a bit more sophisticated. On this set, the duo moved one step closer to their future sound. This six-song disc was limited to about 50 CD-R copies, and had no package artwork. Their second EP, recorded in 1999, was titled Sound Asleep, although it is sometimes referred to as Whisper. Lee’s usual emotion comes through the most on “Exodus”, while “So Close” comes the closest to the Evanescence sound the world has come to know. Still, the Evanescence EP provided a good early hint of what these Arkansas teens were capable of. Indeed, the dull early version of “Imaginary” is proof that Fallen was still five years down the road. The pair were able to create melancholy mood music on a shoestring, but it falls short of transcendence. Moody’s production was also impressive when you consider the small scale of the recording he also played guitar, drums, and keyboards. Lee already came across as a musician with strong potential, as both a vocalist and a pianist, although her vocals did not yet soar to their future operatic heights. It’s fairly advanced for the work of an unsigned pair of teenagers. Lee and Moody were both high school-aged at the time of this recording, which mainly consists of moody piano-based ballads. Evanescence is here billed as the duo of Amy Lee and Ben Moody, with four others credited as “additional musicians” (including future members Will Boyd and Rocky Gray on one track apiece). Only about 100 copies were printed on CD-R, for sale at their shows. Their self-titled 1998 EP showed the Evanescence aesthetic in its infancy. But after you’ve heard Fallen, these demos generally come across as underdeveloped tracks from the band’s gestation period – especially the early versions of songs which eventually turned up on the album. These aspiring young Goth-rockers from Middle America seemed to know what they wanted to achieve, and they were clearly working hard to reach their goals. However, singer Amy Lee has classified these early recordings as mere demos, and has recommended downloading them instead of paying high prices for CD copies.īefore 2003, these demos probably sounded impressive to anyone who heard them. For obvious reasons, these rarities became much-sought-after collector’s items after the band’s big 2003 breakthrough. Although that multiplatinum album was officially their debut release, Lee and Moody did make earlier indie recordings which only received very limited (read: personal) distribution: the self-titled Evanescence EP in 1998, the Sound Asleep EP in 1999, and one full-length CD titled Origin in 2000. The Goth-metal band Evanescence (whose name is a synonym for “disappearance”) were originally formed in Little Rock, Arkansas by the duo of Amy Lee and Ben Moody in the mid-‘90’s, several years before the release of their smash 2003 debut album Fallen.
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